As I draw and sculpt, I find that I develop a kind of intimacy with my subject matter. The portraits I create in ink and clay invite the audience to look closer at the autonomy as well as the anatomy of the rendered creatures. Through my work one can see the uniqueness of the individual subjects instead of their broad faunal categories. I am most interested by this connection. It’s why I forgo the use of colored inks and glazes; it’s why I allow my pen portraits to live in white space rather than naturalistic backgrounds, and my sculptures to exist as parts of their whole.

Drawing

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Sculpture